Contributions to Books 1) ‘Combat Zones: The Things They Carried and A. F. N. Clarke's Contact’, Critical Insights: The Things They Carried, ed. Robert C. Evans (Hackensack, N.J.: Salem Press, Apr 2026), pp. 119-40.2) ‘Remembrance of Deaths Past: Repetition, Reanimation, and Release’, Critical Insights: The Things They Carried, ed. Robert C. Evans (Hackensack, N.J.: Salem Press, Apr 2026), pp. 141-59.3) ‘Henry V: Forging National Identity’, Critical Insights: Henry V, ed. Robert C. Evans (Hackensack, N.J.: Salem Press, Jan 2026), pp. xii-xli.4) ‘The Law of Arms: Jurisprudence and Warfare in Henry V’, Critical Insights: Henry V, ed. Robert C. Evans (Hackensack, N.J.: Salem Press, Jan 2026), pp. 3-27. 5) ‘Flow, Jigsaws, and Conspiracy’, Critical Insights: H. G. Wells, ed. Darren Harris-Fain (Hackensack, N.J. Salem Press. Sep 2025), pp. 183-204.6) ‘Parentage, Pleasure, and Passion: Structure, Style, and Themes in Chopin's Stories’, Critical Insights: Kate Chopin, ed. Robert C. Evans (Hackensack, N.J.: Salem Press, Aug 2025), pp. 91-111.7) ‘Edna and Emma: The Awakening and Madame Bovary’. Critical Insights: Kate Chopin, ed. Robert C. Evans (Hackensack, N.J.: Salem Press, Aug 2025), pp. 185-206.8) ‘Wild Heights: Brontë, Dickinson and the Poetics of Intensity’, Critical Insights: Wuthering Heights, ed. Robert C. Evans (Hackensack, N.J.: Salem Press, Jul 2025), pp. 65-90.9) ‘“A Kind of Sport”: Wuthering Heights as a Hybrid Novel’, Critical Insights: Wuthering Heights, ed. Robert C. Evans (Hackensack, N.J.: Salem Press, Jul 2025), pp. 91-109.10) ‘About This Volume’, Critical Insights: Native Son, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, Apr 25), pp. i-x.11). ‘Anatomies of Murder: Femicide in Native Son’, Critical Insights: Native Son, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, Apr 25, pp. xi-xxxi.12) ‘Comrades and Loners: Marxism and Existentialism in Native Son’, Critical Insights: Native Son, ed. Nicolas Tredell (Hackensack, N. J,: Salem Press, Apr 25), pp. 190-208.13) ‘Huck, Jim, and James: Friendship in Mark Twain's Huckleberry Finn and Percival Everett's James’, Critical Insights: Friendship, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, Apr 2025), pp. 76-96.14) ‘Friendship and Love: Dyads and Differences in Jane Austen’, Critical Insights: Friendship, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, Apr 2025), pp. 120-43.15) ‘Wrestling with the World: Physical and Verbal Struggle in As You Like It’, Critical Insights: As You Like It, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, Feb 2025), pp. 101-22.16) ‘Many Parts: Performance and Identity in As You Like It’, Critical Insights: As You Like It, ed. Robert C. Evans (Hackensack, N. .J: Salem Press, Feb 2025), pp. 246-66.17) ‘Truth, Trauma, and Technique: Narrative Strategies in Twelve Years a Slave’, Critical Insights: Twelve Years a Slave, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, Nov 2024), pp. 45-66.18) ‘High Style and Vernacular: Contrasting Languages in Twelve Years a Slave’, Critical Insights: Twelve Years a Slave, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, Nov 2024), pp. 67-88. 19) ‘Chaos and Old Night: Power and Corruption in Robert Penn Warren's All the King's Men’, Critical Insights: Power and Corruption, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, Oct 2023), pp. xvii-xxxvi.20) ‘Self-Command and Selfishness: Civility and Wildness in Sense and Sensibility’, Critical Insights: Sense and Sensibility, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, Aug 2023), pp. 109-27.21) ‘Writing the Crisis: Texts and Contexts in Interesting Times’, Cultural Texts and Contexts in the English-Speaking World (VII), ed. Mădălina Pantea (Oradea, Romania: Editura Universității din Oradea, 2021), pp. 17-43. 22) ‘The Energy Exhibition: Radical Science Fiction in the 1960s’, Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985, eds Andrew Nette and Iain McIntyre (Oakland, CA: PM Press, 2021), pp. 56-63. 23) ‘About This Volume’, Critical Insights: In Cold Blood, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. xix-xvii.24) ‘Strange lights and intuitive speculation: In Cold Blood and Norman Mailer's The Armies of the Night’, Critical Insights: In Cold Blood, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 49-65.25) ‘Bloodlines, Ethnicity and Otherness in In Cold Blood’, Critical Insights: In Cold Blood, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 171-90.26) ‘Masculine/Feminine: In Cold Blood and the Crisis of Gender’, Critical Insights: In Cold Blood, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 191-209.27) ‘Questions Left Hanging’, Critical Insights: In Cold Blood, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 248-62.28) ‘“Old-fashioned — naughty — everything — ”: Uncreating Male and Female in the Poetry of Emily Dickinson’, Critical Insights: Feminism, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2020), pp. 81-98. 29) ‘The Woman Alone: Singleness and Survival in Jean Rhys’s Quartet’, Critical Insights: Feminism, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2020), pp. 33-48. 30) ‘About This Volume’, Critical Insights: The Kite Runner, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. vii-xvi.31) ‘Catching The Kite Runner: A Survey of Critical Responses’, Critical Insights: The Kite Runner, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020). pp. 16-32. 32) ‘Kite and Scarf: The Kite Runner and Mohja Kahf's The Girl in the Tangerine Scarf’, Critical Insights: The Kite Runner, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 49-66.33) ‘“You have been in Afghanistan, I perceive”: Perception, Sensation, and Cognition in The Kite Runner’, Critical Insights: The Kite Runner, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 141-56.34) ‘“Avoid them like the plague”: Clichés, Style, and Situations in The Kite Runner’, Critical Insights: The Kite Runner, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 157-72.35) ‘Staging The Kite Runner’, cCritical Insights: The Kite Runner, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 193-214.36) ‘The Kite Runner: The Graphic Novel’, Critical Insights: The Kite Runner, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 215-30.37) ‘Reconfiguring The Kite Runner’, Critical Insights: The Kite Runner, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 231-49.(38) ‘“I would save the Union”: Lincoln’s Rhetorical Road to the US Civil War’, Critical Insights: Abraham Lincoln, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2020), pp. 47-62. 39) ‘“So you’re the little woman ...”. Lincoln, Harriet Beecher Stowe, and Uncle Tom’s Cabin’, Critical Insights: Abraham Lincoln, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2020), pp. 135-50.40) ‘About This Volume', Critical Insights: A Midsummer Night's Dream, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. vii-xiv.41) ‘Biography of William Shakespeare’, Critical Insights: A Midsummer Night's Dream, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. xxx-xxxiv. 42) ‘The Re-Enchantment Industry: A Midsummer Night's Dream in Its Own and Our Time’, Critical Insights: A Midsummer Night's Dream, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 3-18. 43) ‘“It hath no bottom”: The Critical Reception of A Midsummer Night’s Dream’, Critical Insights: A Midsummer Night's Dream, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 19-50.44) ‘“Thou shalt know the man”: Underspecification and Knowledge in A Midsummer Night’s Dream’, Critical Insights: A Midsummer Night's Dream, ed. Nicolas Tredell (Hackensack, N. J.: Salem Press, 2020), pp. 150-69. 45) ‘Verses Satirizing War: Satirical War Poetry from Marvell to Sassoon’, Critical Insights: Satire, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2020), pp. 60-76. 46) ‘Epic Satire? Byron’s Don Juan’, Critical Insights: Satire, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2020), pp. 224-41. 47) ‘Malcolm, Martin, and Muhammad: Clashing Rhetorics’, Critical Insights: Malcolm X, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2020), pp. 90-107. 48) ‘Fire and Ice: Malcolm X, Eldridge Cleaver, and Bobby Seale’, Critical Insights: Malcom X, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2020), pp. 156-73. 49) ‘Thomas Jefferson: Words for a Nation’, Critical Insights: Thomas Jefferson, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2020), pp. 33-48. 50) ‘Jefferson and the Long Eighteenth Century’, Critical Insights: Thomas Jefferson, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2020), pp. 87-102. 51) ‘Ferment in Fiction: British Novels and Radical Movements, 1965-75’, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950 to 1980, eds Andrew Nette and Iain McIntyre (Oakland, CA: PM Press, 2020), pp. 55-68. 52) ‘Gained in Translation: Multiplying the Odyssey’, Critical Insights: The Odyssey, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2019), pp. 145-63. 53) ‘Son of Pain: Trauma in the Odyssey’, Critical Insights: The Odyssey, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2019), pp. 72-87. 54) ‘“I am the man, I suffer’d, I was there”: Masculinity, Suffering and Presence in Whitman’, Critical Insights: Walt Whitman, ed. Robert C. Evans (Hackensack, N.J.: Salem Press, 2019), pp. 243-59. 55) ‘Singing the Body Eclectic: The Corporeal in Whitman’s Poetry’, Critical Insights: Walt Whitman, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2019), pp. 277-42. 56) ‘To Make You Hear and See: The Aural and the Visual in Heart of Darkness’,Critical Insights: Heart of Darkness, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2019), pp.182-98. 57) ‘Chart of Darkness: Cognitive Mapping in Marlow’s Quest for Kurtz’, Critical Insights: Heart of Darkness, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2019), pp.166-81. 58) ‘An Anti-Greed Novel: Anthony Trollope’s The Way We Live Now’, Critical Insights: Greed, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2019), pp. 206-21. 59) ‘Addicted to Greed: Martin Amis’s Money’, Critical Insights: Greed, ed. Robert C. Evans (Hackensack, N. J.: Salem Press), pp. 253-69. 60) ‘Interanimations: William S. Burroughs’s Naked Lunch’, Critical Insights: Censored & Banned Literature, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2019), pp. 151-68. 61) ‘Banned, bothered and bewildered: Lady Chatterley’s Lover’, Critical Insights: Censored & Banned Literature, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2019), pp. 133-50. 62) ‘Declaration and Dream: American Literature 1776-2018’, The Literature Reader: Key Thinkers on Key Topics, ed. Lucy Webster (London: English and Media Centre, 2019), pp. 101-10. 63) ‘Isms and the Critical Reader’, The Literature Reader: Key Thinkers on Key Topics, ed. Lucy Webster (London: English and Media Centre, 2019), pp.156-65. 64) ‘Introduction’ to Colin Wilson, Introduction to the New Existentialism (London: Aristeia Press, 2019), pp. xvii-xxvi. 65) ‘Voyager and Dreamer: Colin Wilson’s Autobiographical Writing’, Reflections on the Work of Colin Wilson: Proceedings of the Second International Colin Wilson Conference University of Nottingham July 6-8, 2018, ed. Colin Stanley (Newcastle upon Tyne: Cambridge Scholars, 2019), pp. 7-26. 66) ‘Fall into Pain: Paradise Lost as a Narrative of Trauma’, Critical Insights: Paradise Lost, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2019), pp. 66-81. 67) ‘Access Denied: Gates and Interdictions in Paradise Lost’, Critical Insights: Paradise Lost, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2019), pp. 184-99. 68) ‘Solid Flesh: Hamlet and Embodiment’, Critical Insights: Hamlet, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2019), pp. 81-97. 69) ‘Birth, Death, Rebirth: Fathers and Mothers in Hamlet’, Critical Insights: Hamlet, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2019), pp. 98-113. 70) ‘Contraries and Progression in Martin Luther King’, Critical Insights: Martin Luther King Jr., ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2018), pp. 51-68. 71) ‘Martin Luther King: The Uses of Intertextuality’, Critical Insights: Martin Luther King Jr., ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2018), pp. 71-87. 72) ‘Invisible Man: Sensation and Making Sense’, Critical Insights: Invisible Man, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2018), pp. 42-57. 73) ‘Invisible Man: Anger, Action, and Art’, Critical Insights: Invisible Man, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2018), pp. 136-51. 74) ‘A Plea for Color: Rebelling Against Monochrome Existence in Nella Larsen’s Quicksand’, Critical Insights: Rebellion, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2018), pp. 158-74. 75) ‘Riotous Angelic Particulars: Rebellion in Jack Kerouac’s On the Road’, Critical Insights: Rebellion, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2018), pp. 191-205. 76) ‘The Frontier of Tragedy: Survival in Measure for Measure’, Critical Insights: Survival, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2018), pp. 91-107. 77) ‘By the Skin of their Teeth: Surviving the Vampire in Bram Stoker’s Dracula’, Critical Insights: Survival, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2018), pp. 125-40. 78) ‘The Crucible: Skepticism, Knowledge, and Tragedy’, Critical Insights: The Crucible, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2017), pp. 50-63. 79) ‘Scapegoats, Satanism and the Sacred: Arthur Miller’s The Crucible’, Critical Insights: The Crucible, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2017), pp. 81-97. 80) ‘Telling It Like It Was: Doris Lessing’s The Golden Notebook as a Protofeminist Text’, Critical Approaches to Literature: Feminist, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2017), pp. 233-48. 81) ‘The Thirtysomething Wives’ Tale: Zadie Smith’s NW as a Post-Feminist Text’, Critical Approaches to Literature: Feminist, ed. Robert C. Evans (Hackensack, N. J.: Salem Press, 2017), pp. 265-84. 82) ‘Minglings: Form, Style and Theme in Their Eyes Were Watching God’, Critical Approaches to Literature: Mulitcultural, ed. Robert C. Evans (Hackensack, N.J.: Salem Press, 2017), pp. 92-106. 83) ‘Knowing the Beast: Lord of the Flies and Cognitive Literary Criticism’, Critical Insights: Lord of the Flies, ed. Sarah Fredericks (Hackensack, N.J.: Salem Press, 2017), pp. 57-72. 84) ‘One from Many: Morality in John Steinbeck’s The Grapes of Wrath’, Critical Approaches to Literature: Moral, ed. Robert C. Evans (Hackensack, N.J.: Salem Press, 2017), pp. 167-80. 85) ‘Grasping The Great Gatsby: A Cognitive Approach’, Critical Approaches to Literature: Psychological, ed. Robert C. Evans (Hackensack, N.J.: Salem Press, 2017), pp. 171-86. 86) ‘A Ritual for Outsiders: Philosophy and Narrative in The Outsider and Ritual in the Dark’, Proceedings of the First International Colin Wilson Conference: University of Nottingham July 1, 2016, ed. Colin Stanley (Newcastle upon Tyne: Cambridge Scholars, 2017), pp. 79-98. 87) ‘B. S. Johnson - Omnibus [1964-1971]’, Festschrift: Volume Three: The Syllabus (Singapore and Great Britain: Verbivoracious Press, 2015), pp. 38-9. 88) ‘Introduction’ to Christine Brooke-Rose, Xorandor & Verbivore (Singapore: Verbivoracious Press, 2014), pp. v-x. 89) ‘A Dare’, Festschrift: Volume Two: Gilbert Adair (Singapore: Verbivoracious Press, 2014), pp. 2-7. 90) ‘“Hasn’t got any name”: Aesthetics, African Americans and Policemen in The Great Gatsby’, Reassessing theTwentieth-Century Canon: From Joseph Conrad to Zadie Smith, eds Nicola Allen and David Simmons (London: Palgrave, 2014), pp. 27-42. 91) ‘Analysis: F. Scott Fitzgerald, Tender is the Night’, Doing Close Reading: Activities: Anthology:Analysis: An EMC Advanced Literature Resource (London: English and Media Centre, 2014), pp. 160-1. 92) ‘(W)rite of Passage’, Festschrift: Volume One: Christine Brooke-Rose (Singapore: Verbivoracious Press, 2014), pp. 170-3. 93) ‘Introduction’ to Colin Wilson, The World of Violence (Kansas City: Valancourt Books, 2013), pp. vii-x. 94) ‘An Acceptance of Complexity: Ritual in the Dark’, Around the Outsider: Essays Presented to Colin Wilson on the Occasion of his 80th Birthday, ed. Colin Stanley (Winchester, UK; Washington, USA: O Books, 2011), pp. 3-23. 95) ‘Saville (1976), by David Storey’, Dictionary of Literary Biography, Volume 326, Booker Prize Novels, 1969-2005, ed. Merritt Moseley (Detroit: Thomson Gale, 2006), pp. 80-8. 96) ‘The Ghost Road (1995), by Pat Barker’, Dictionary of Literary Biography, Volume 326, Booker Prize Novels, 1969-2005 (2006), pp. 267-75. 97) ‘Brian Aldiss’, Dictionary of Literary Biography, Volume 271, British and Irish Novelists Since 1960, ed. Merritt Moseley (Detroit: Thomson Gale, 2003), pp. 3-22. 98) ‘Simon Raven’, Dictionary of Literary Biography, Volume 271, British and Irish Novelists Since 1960 (2003), pp. 290-303. 99) ‘Malcolm Bradbury’, Continuum Encyclopedia of British Literature, eds Steven R. Serafin & Valerie Grosvenor Myer (New York & London: Continuum, 2003), pp. 110-11. 100) ‘Christine Brooke-Rose’, Continuum Encyclopedia of British Literature (2003), pp. 124-5. 101) ‘David Caute’, Continuum Encyclopedia of British Literature (2003), pp. 170-1. 102) ‘L. P. Hartley’, Continuum Encyclopedia of British Literature (2003), pp. 450-1. 103) ‘B. S. Johnson’, Continuum Encyclopedia of British Literature (2003), pp. 528-9. 104) ‘Literary Criticism before 1945’, Continuum Encyclopedia of British Literature (2003), pp. 600-3. 105) ‘Colin MacInnes’, Continuum Encyclopedia of British Literature (2003), pp. 623-4. 106) ‘L. H. Myers’, Continuum Encyclopedia of British Literature (2003), pp. 698-9. 107) ‘Bill Naughton’, Continuum Encyclopedia of British Literature (2003), pp. 711-12. 108) ‘J. B. Priestley’, Continuum Encyclopedia of British Literature (2003), pp. 793-4. 109) ‘Ann Quin’, Continuum Encyclopedia of British Literature (2003), pp. 803-4. 110) ‘N. F. Simpson’, Continuum Encyclopedia of British Literature (2003), pp. 913-14. 111) ‘George Steiner’, Continuum Encyclopedia of British Literature (2003), pp. 943-4. 112) ‘Anne Stevenson’, Continuum Encyclopedia of British Literature (2003), pp. 949-50. 113) ‘Barry Unsworth’, Continuum Encyclopedia of British Literature (2003), pp. 1004-5. 114) ‘Marina Warner’, Continuum Encyclopedia of British Literature (2003), pp. 1023-4. 115) ‘A. N. Wilson’, Continuum Encyclopedia of British Literature (2003), pp. 1052-3. 116) ‘David Caute’, Dictionary of Literary Biography, Volume 231, British Novelists since 1960, Fourth Series, ed. Merritt Moseley (Detroit: Gale, 2001), pp. 53-60. 117) ‘Ann Quin’, Dictionary of Literary Biography, Volume 231, British Novelists since 1960, Fourth Series (2001), pp. 230-8. 118) ‘Anne Stevenson’, British Writers: Supplement VI, ed. Jay Parini (New York; Charles Scribner’s Sons, 2001), pp. 253-66. 119) ‘Louis de Bernières’, Contemporary Novelists, eds Neil Schlager & Josh Lauer (Detroit: St. James Press, 2001), p. 238. 120) ‘David Caute’, Contemporary Novelists (2001), pp. 180-1. 121) ‘J. M. Coetzee’, Contemporary Novelists (2001), pp. 204-5. 122) ‘Douglas Coupland’, Contemporary Novelists (2001), pp. 218-19. 123) ‘Kinky Friedman’, Contemporary Novelists (2001), pp. 345-6. 124) ‘Stephen King’, Contemporary Novelists (2001), pp. 574-8. 125) ‘William Kotzwinkle’, Contemporary Novelists (2001), pp. 592-3. 126) ‘Andrew O’Hagan’, Contemporary Novelists (2001), p. 778. 127) ‘Terry Pratchett’, Contemporary Novelists (2001), pp. 815-17. 128) ‘Robert Silverberg’, Contemporary Novelists (2001), pp. 907-11. 129) ‘Neal Stephenson’, Contemporary Novelists (2001), pp. 944-5. 130) ‘Barry Unsworth’, Contemporary Novelists (2001), pp. 995-6. 131) ‘A. N. Wilson’, Contemporary Novelists (2001), pp. 1059-61. 132) ‘Graham Swift’, Dictionary of Literary Biography, Volume 194, British Novelists since 1960, Second Series, ed. Merritt Moseley (Detroit; Washington, D.C.; London, 1998), pp. 262-9. 133) ‘Colin Wilson’, Dictionary of Literary Biography, Volume 194, British Novelists since 1960, Second Series(1998), pp. 325-40. 134) ‘W. H. Auden’, Gay and Lesbian Biography, ed. Michael J. Tyrkus (Detroit, MI: St James Press, 1997), pp. 35-7. 135) ‘Francis Bacon’, Gay and Lesbian Biography (1997), pp. 39-41. 136) ‘John Cage’, Gay and Lesbian Biography (1997), pp. 99-102. 137) ‘Emily Dickinson’, Gay and Lesbian Biography (1997), pp. 149-51. 138) ‘David Hockney’, Gay and Lesbian Biography (1997), pp. 229-32. 139) Letters 232, 237, 284, Letters to an Editor [Michael Schmidt], ed. Mark Fisher (Manchester: Carcanet, 1989), pp. 190-1, 193-7, 224-5. 140) ‘The Human Future’, Colin Wilson, a Celebration: Essays and Recollections, ed. Colin Stanley (London: Cecil Woolf, 1988), pp. 88-106. 141) ‘Euphoria (Ltd) — The Limitations of Post-structuralism and Deconstruction’, Issues in Contemporary Critical Theory; A Casebook, ed. Peter Barry (Basingstoke and London: Macmillan Education, 1987), pp. 91-104.